Why should a photographer shoot more than one photo of the same location? Musings at the Obereversand lighthouse.
Landscape
One of my favorite places out there is the German North Sea coast. However, as much as I love the feel and the atmosphere of this place, the landscape itself isn’t too photogenic at first glance. It doesn’t shine in its visual characteristics but in the feeling and atmosphere of its smaller details, which constitute an experience far larger than the sum of its part.
In today’s post, I’d like to share a photograph that I took just yesterday and that I happen to like very much for its storytelling properties.
This post contains a series photos taken at the in the beautiful season of autumn. The photographs are presented without further information except for the title and the location. No explanations, no talking. Just enough silence to allow for silent conversations between you and the image.
Enjoy this short contemplative slideshow of intimate landscape photographs taken in the beautiful season of fall.
In this post I share some of my favorite autumn images and invite you engage in silent conversations and autumnal meditations.
On one drizzly evening, I decided to go on a photo walk on the beach and only shoot with my 50mm prime lens set to f/1.8 and my camera set to the “Camera Graphite” profile, a high contrast b&w profile. This way I forced myself to copy with many challenges…
A trip to the Rhine Bridge Wesel didn’t only give me 15 new photos, but also lots of interesting stories to go along with them.
A visit at the Rheinpreußen slag heap gives me 8 new photographs, but also an unexpected retrospective and new motivation for the future.
Grimacing faces, fascinating and eerily beautiful, often harsh, sometimes funny, always elusive. Welcome to the Ice Entities 2021.
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